I believed that they had a sort of supernatural power about them-whereas, having spent so many years producing them, I don’t now believe that they’ve got any supernatural qualities. I had my own little icons, which felt to me a bit like magic or good luck charms. Though, I have to admit that, when I was younger, I liked icons. So, what attracted me to icons in the later stage of my life was that I like to dabble in art. What was the thing that really drew you to paint icons, and to be involved in the more religious side of art? That’s when I started really getting into the Byzantine style paintings. You know, like all teenagers, right? I started painting professionally at forty. My stepbrother was good at drawing, so he started to paint icons. My father and my stepbrother became monks. So, I started to do the icons when I was 15. How long have you been doing iconography? In this “Religion Behind the Scenes” interview, Stan takes us into the fascinating world of the icon artist. Stan Kranidiotis is an artist, and an iconographer, who lives in Greece, and has been painting icons since he was a teenager. Indeed, Orthodox bishop, Kallistos Ware, indicated that, for the Orthodox, icons are not simply something nice to have, but they are “essential” because icons are a doorway to the divine, helping the worshiper to draw closer to God. The result was a high-quality silicate paint system that combined performance, durability, protection and color-fastness that, even today, remains unsurpassed.Religion Behind the Scenes spotlights the less discussed, but no less crucial, tasks that keep religious communities running, and the people who make it all happen.Īnyone who has ever visited an Orthodox Church will sense the importance of icons (or religious art) in the worship of Eastern Orthodox Christians. Mineral paints were invented to replicate the effect of Italian frescoes but stand up to the harsh climate north of the Alps. The artist used Keim Mineral Paints, a medium invented by Bavarian scientists in the 19th century under the patronage of King Ludwig I of Bavaria. The girl wears a mask to symbolize Mother Lange’s work nursing terminally ill patients during the Cholera Epidemic of Baltimore in 1832.
The lilies symbolize purity of heart and intention as well as the complete oblation of oneself and one’s dependence upon God's Providence, recalled by words of our Blessed Lord: "Consider the lilies of the field: they labor not, neither do they spin, yet I say to you that not even Solomon in all his glory was arrayed as one of these!" The cross represents humility, the distinctive spirit of the O.S.P the anchor, the confidence and trust the order has in Almighty God the heart, the love which they give to all children to whose training they have dedicated themselves as religious.
In the two lower spaces are a lily and heart. A white cross divides the blue shield into four parts: In the two upper spaces are an anchor and a lily. The crest behind Mother Lange is the coat of arms of the Oblate Sisters of Providence. The former convent was reopened as a community food pantry and the painting was unveiled in August of this year. A few months ago, Our Lady of Sorrows Parish in Takoma Park decided to tell the story of Mother Mary Lange and invoke her intercession during our own troubled times by commissioning a large public painting of the saint by Andrew de Sa on a street-facing facade of a convent built by the O.S.P. When the city of Baltimore reopened and volunteers were recognized, Mother Lange and her Order were intentionally disregarded due to the color of their skin. In 1832, when the cholera epidemic ravaged Baltimore, Mother Lange and her sisters volunteered on the front lines nursing the terminally ill. The school she founded in Baltimore in the early 1800’s, St.
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Mother Lange risked being jailed for illegally teaching free and slave black children. The order was founded in Baltimore in 1829 to evangelize and serve the black community, in a time when Maryland was still a slave state. Mother Mary Lange O.S.P is a Servant of God and Foundress of the Oblates Sisters of Providence, the first Roman Catholic sisterhood in the world established by women of African descent.
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